Paul Creston

Born in New York City to Sicilian immigrants, Paul Creston was self-taught as a composer. His work tends to be fairly conservative in style, with a strong rhythmic element. His pieces include six symphonies; a number of concertos, including two for violin, one for marimba and orchestra (premiered by Ruth Stuber), one for one piano, one for two pianos, one for accordion and one for alto saxophone (the latter dedicated to Cecil Leeson); a fantasia for trombone and orchestra (composed for and premiered by Robert Marsteller). Also for alto saxophone he wrote a Rapsodie for Jean-Marie Londeix; a suite (1935) and a sonata (Op. 19, 1939), both dedicated to Cecil Leeson (the sonata was arranged by Marco Ciccone for saxophone and orchestra in 2008); and also a suite for organ, Op. 70.

Several of his works were inspired by the poetry of Walt Whitman.

Born in New York City to Sicilian immigrants, Paul Creston was self-taught as a composer. His work tends to be fairly conservative in style, with a strong rhythmic element. His pieces include six symphonies; a number of concertos, including two for violin, one for marimba and orchestra (premiered by Ruth Stuber), one for one piano, one for two pianos, one for accordion and one for alto saxophone (the latter dedicated to Cecil Leeson); a fantasia for trombone and orchestra (composed for and premiered by Robert Marsteller). Also for alto saxophone he wrote a Rapsodie for Jean-Marie Londeix; a suite (1935) and a sonata (Op. 19, 1939), both dedicated to Cecil Leeson (the sonata was arranged by Marco Ciccone for saxophone and orchestra in 2008); and also a suite for organ, Op. 70.

Several of his works were inspired by the poetry of Walt Whitman.

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