Description
Trk. 12, Scene 12 – Twelve Days In The Shadow Of A Miracle
TRACK LISTING
Trk. | Name | Time |
01 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 1 | 2:27 |
02 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 2 | 1:21 |
03 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 3 | 1:27 |
04 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 4 | 1:28 |
05 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 5 | 0:44 |
06 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 6 | 1:15 |
07 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 7 | 1:26 |
08 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 8 | 2:30 |
09 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 9 | 1:47 |
10 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 10 | 1:44 |
11 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 11 | 1:21 |
12 | Mays – Twelve Days In The Shadow Of A Miracle – Scene 12 | 4:01 |
13 | Bach – Eisteddfod – Variations & Penillion On A Welsh Harp Tune – Lachrymose | 2:53 |
14 | Bach – Eisteddfod – Variation I | 1:42 |
15 | Bach – Eisteddfod – Variation II | 1:45 |
16 | Bach – Eisteddfod – Variation III | 1:12 |
17 | Bach – Eisteddfod – Variation IV | 1:23 |
18 | Bach – Eisteddfod – Variation V | 0:54 |
19 | Bach – Eisteddfod – Variation VI | 2:14 |
20 | Bach – Eisteddfod – Variation VII | 1:23 |
21 | Bach – Eisteddfod – Variation VIII | 3:17 |
22 | Bach – Eisteddfod – Variations IX, X, XI | 0:26 |
23 | Bach – Eisteddfod – Variation XII | 0:55 |
24 | Bach – Eisteddfod – Penillion | 3:15 |
25 | Frank – The Way You Hear It Is The Way You Sing It | 13:18 |
ITEM DESCRIPTION
In the Shadow of a Miracle
The Debussy Trio
Released: 1996
Total 3 pieces
© 2007 Fatrock Ink Music Publishers
THE DEBUSSY TRIO in works by LYLE MAYS, JAN BACH, and ANDREW FRANK
Twelve Days in the Shadow of a Miracle for harp, flute, viola and tape reflects Lyle Mays’ continuing interest in the fusion of contemporary jazz with classical chamber music. Commissioned by The Debussy Trio and Eric Bruskin, the work draws upon his skills as a composer and keyboardist which he has developed over years of collaborating and performing with the Pat Metheny Group.
— Keller Coker
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